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  1. 1981
    “…Human participants imitated simple melodies by either singing (i.e. producing pitch with the larynx) or whistling (i.e. producing pitch with the lips and tongue). …”
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    Poor neuro-motor tuning of the human larynx: a comparison of sung and whistled pitch imitation
  2. 1982
    “…In Experiment 1, piano melodies were used as auditory distractors. Participants who expected the degree of disruption to be low made more errors in serial recall than participants who expected the degree of disruption to be high, independent of whether distractors were present or not. …”
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    Metacognition in Auditory Distraction: How Expectations about Distractibility Influence the Irrelevant Sound Effect
  3. 1983
    “…Previous work suggests that infants process linguistic–phonetic information from simplified sung melodies. The present study investigated whether infants learn words from ecologically valid children’s songs. …”
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    Infants Segment Words from Songs—An EEG Study
  4. 1984
    “…The patient's pre- and postoperative brain function related to language and music capabilities were investigated using functional magnetic resonance imaging (fMRI) based on two language tasks and a music task (listening to melodies). While task performance was similar in pre- and postoperative examinations, her brain activation patterns markedly differed. …”
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    Retained absolute pitch after selective amygdalohippocampectomy
  5. 1985
    por Singh, Rajsuryan, Nakamura, Eita
    Publicado 2022
    “…To find patterns in the dynamics of the cluster structure, we analysed statistics of melodies in Japanese popular music data and statistics of audio features in American popular music data. …”
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    Dynamic cluster structure and predictive modelling of music creation style distributions
  6. 1986
    por Ichimiya, Issei, Ichimiya, Hiroko
    Publicado 2023
    “…In the latter half of the study, we applied this condition in music and devised auditory illusions such that melodies of the passages of "Lightly Row," "Cherry Blossoms," and "Jingle Bells" were perceived by listening to "jagged" dichotic tone patterns. …”
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    Modifying Deutsch’s scale illusion for application in music
  7. 1987
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    Epidermal growth factor receptor is a co-receptor for adeno-associated virus serotype 6
  8. 1988
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    Pulse oximeter ingestion in a psychotic patient
  9. 1989
    por Kazachkov, Mikhail, Pirzada, Melodi
    Publicado 2020
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    Diagnosis of EVALI in the COVID-19 era
  10. 1990
    “…This protocol reports the SHAPER-Implement programme (Scale-up of Health-Arts Programmes Effectiveness-Implementation Research), aimed at studying the impact, implementation and scale-up of: Melodies for Mums (M4M), a singing intervention for postnatal depression; and Dance for Parkinson’s (PD-Ballet) a dance intervention for Parkinson’s disease. …”
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    Study protocol: randomised controlled hybrid type 2 trial evaluating the scale-up of two arts interventions for postnatal depression and Parkinson’s disease
  11. 1991
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    Harnessing enzyme plasticity for the synthesis of oxygenated sesquiterpenoids
  12. 1992
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    Dataset of mountain pine beetle outbreak dynamics and direct control in Cypress Hills, SK
  13. 1993
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    Between a rock and a hard place: COVID-19 and South Africa’s response
  14. 1994
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    The Complex Bridge between Aquatic and Terrestrial Life: Skin Changes during Development of Amphibians
  15. 1995
    “…Psychophysical testing suggests that individuals with amusia have above average thresholds for detection of pitch change and pitch direction discrimination; however, a low-level auditory perceptual problem cannot completely explain the disorder, since discrimination of melodies is also impaired when the constituent intervals are suprathreshold for perception. …”
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    Faster decline of pitch memory over time in congenital amusia
  16. 1996
    “…Gibbons are non-human primates that produce loud, distinctive and melodious vocalizations resembling more those of birds than of other non-human primates. …”
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    Cues to Androgens and Quality in Male Gibbon Songs
  17. 1997
    “…The current study investigated the role of two factors in temporal coordination of joint music performance: differences in partners’ spontaneous (uncued) rate and auditory feedback generated by oneself and one’s partner. Pianists performed melodies independently (in a Solo condition), and with a partner (in a duet condition), either at the same time as a partner (Unison), or at a temporal offset (Round), such that pianists heard their partner produce a serially shifted copy of their own sequence. …”
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    Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback
  18. 1998
    “…Therefore, an additional novelty in this work concerns the utilisation of artificial raters that guide the system through the space of musical features, allowing the exploration of its convergence characteristics: does the system converge to optimal melodies, is this convergence fast enough for potential human listeners and is the trajectory to convergence “interesting’ and “creative” enough? …”
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    Interactive music composition driven by feature evolution
  19. 1999
    “…This study aimed to experimentally dissociate the effects of specialised stylistic training and general musical expertise on the perception of melodies. Non-musicians and professional musicians specialising in classical music or jazz listened to sampled renditions of saxophone solos improvised by Charlie Parker in the bebop style. …”
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    "If You Have to Ask, You'll Never Know": Effects of Specialised Stylistic Expertise on Predictive Processing of Music
  20. 2000
    “…Individuals with congenital amusia usually exhibit impairments in melodic contour processing when asked to compare pairs of melodies that may or may not be identical to one another. …”
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    Pitch contour impairment in congenital amusia: New insights from the Self-paced Audio-visual Contour Task (SACT)
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