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Música para piano
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Jazz
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Songs (Medium voice) with piano
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Song cycles
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Codependencia
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Música para violonchelo y piano
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Violin and piano music
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Autoestima
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2001“…Based on this model, a deep chord gated recurrent neural generative adversarial network (DCG_GAN) is proposed. The generated melodies are evaluated in both subjective and objective directions. …”
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2002por Richardson, Melodie S. W., Tame, Christopher J., Poole, Darren L., Donohoe, Timothy J.Enlace del recurso
Publicado 2019
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2003
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2004
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2005por Proteau-Lemieux, Mélodie, Knoth, Inga Sophia, Agbogba, Kristian, Côté, Valérie, Barlahan Biag, Hazel Maridith, Thurman, Angela John, Martin, Charles-Olivier, Bélanger, Anne-Marie, Rosenfelt, Cory, Tassone, Flora, Abbeduto, Leonard J., Jacquemont, Sébastien, Hagerman, Randi, Bolduc, François, Hessl, David, Schneider, Andrea, Lippé, SarahEnlace del recurso
Publicado 2022
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2006por Albritton, Tashuna, Ford, Kelsey Lynett, Elsbernd, Kira, Santodomingo, Melodie, Juzang, Ivan, Weddington, Pam, Bull, SheanaEnlace del recurso
Publicado 2021
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2007por Stauffer, William R., Lak, Armin, Yang, Aimei, Borel, Melodie, Paulsen, Ole, Boyden, Edward S., Schultz, WolframEnlace del recurso
Publicado 2016
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2008por Demiray, Melodi, Tang, Xiaoping, Wirth, Thomas, Faraldos, Juan A., Allemann, Rudolf K.Enlace del recurso
Publicado 2017
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2009
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2010por Blue, Elliot D., Freeman, S. Caleb, Lobl, Marissa B., Clarey, Dillon D., Fredrick, Rose L., Wysong, Ashley, Whitley, Melodi JavidEnlace del recurso
Publicado 2022
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2011por Yurdum, Lidya, Singh, Manvir, Glowacki, Luke, Vardy, Thomas, Atkinson, Quentin D., Hilton, Courtney B., Sauter, Disa, Krasnow, Max M., Mehr, Samuel A.“…For example, dance songs tend to be loud and rhythmic, and lullabies tend to be quiet and melodious. Human perceptual sensitivity to the behavioral contexts of songs, based on these musical features, suggests that basic properties of music are mutually intelligible, independent of linguistic or cultural content. …”
Publicado 2023
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2012“…This effect was demonstrated with piano melodies (Experiment 1) and speech distractors (Experiment 2). …”
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2013por Bodak, Rebeka, Malhotra, Paresh, Bernardi, Nicolò F., Cocchini, Gianna, Stewart, Lauren“…Two left neglect patients completed an intervention comprising four weekly 30-min music intervention sessions involving playing scales and familiar melodies on chime bars from right to left. Two cancellation tests [Mesulam shape, Behavioral Inattention Test (BIT) star], the neglect subtest from the computerized TAP (Test of Attentional Performance) battery, and the line bisection test were administered three times during a preliminary baseline phase, before and after the four intervention sessions during the intervention phase to investigate short-term effects, and 1 week after the last intervention session to investigate whether any changes in performance would persist. …”
Publicado 2014
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2014por Schutz, Michael“…Although manipulations altering melodies show that passages changed to be higher and faster sound happier, corpus analyses of unaltered music paralleling those of natural speech have proven challenging. …”
Publicado 2017
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2015“…In NH listeners, hemispheric parietal alpha power was greater when the ipsilateral location was attended; this lateralization was stronger when competing melodies were separated by a larger spatial difference. …”
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2016por Quiroga‐Martinez, David R., Hansen, Niels Christian, Højlund, Andreas, Pearce, Marcus, Brattico, Elvira, Holmes, Emma, Friston, Karl, Vuust, Peter“…We found that, compared to regular sounds, out‐of‐tune pitch deviations were associated with lower intrinsic (inhibitory) connectivity in A1 and STG, and lower backward (inhibitory) connectivity from STG to A1, consistent with disinhibition and enhanced neural gain in these auditory areas. More predictable melodies were associated with disinhibition in right A1, while musicianship was associated with disinhibition in left A1 and reduced connectivity from STG to left A1. …”
Publicado 2021
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2017“…In a language with distinctive tone and length, such as Gavião of Rondônia, the first question about speech that is played by musical instruments is the relation between the melodies and the supersegmental phonology of the corresponding words in sung speech and in modal spoken speech. …”
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2018“…Similarly, arm movements were more pronounced during playing melodious parts. At transitions, the arms were put closer to the torso. …”
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2019“…Musical Hallucinations (MH), first described by Baillarger in 1846, are a complex type of auditory hallucination characterized by perception of melodies, music, or songs. OBJECTIVES: This work aims to review the literature considering MH. …”
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2020por Limphaibool, Nattakarn, Maciejewska, Barbara, Kowal, Piotr, Kozubski, Wojciech, Iwanowski, Piotr“…It is a rare phenomenon, first described by Ballinger in 1846, with diverse presentations from familiar childhood melodies to a simple pitch which evolved into the harmonies Robert Schumann incorporated in his sole Violin Concerto. …”
Publicado 2021
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