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Música para piano
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1921por Rosslau, Ken, Steinwede, Daniel, Schröder, C., Herholz, Sibylle C., Lappe, Claudia, Dobel, Christian, Altenmüller, Eckart“…In terms of expressive testing, the most consistent results were obtained from a test that required patients to reproduce sung melodies. This implies that the means of investigating production abilities can impact the identification of deficits.…”
Publicado 2015
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1922por Larrouy-Maestri, Pauline, Magis, David, Grabenhorst, Matthias, Morsomme, Dominique“…The present study investigates laypersons' ability to objectively evaluate melodies performed by untrained singers. For this purpose, laymen listeners were asked to judge sung melodies. …”
Publicado 2015
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1923“…In addition to their given names, which conform to the conventions of their languages, speakers of the Oyda (Omotic; SW Ethiopia) and Yopno (Finisterre-Huon; NE Papua New Guinea) languages have “name tunes,” short 1–4 s melodies that can be sung or whistled to hail or to identify for other purposes. …”
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1924“…For melodic sight-singing considering the ten tonal melodies, on average, the weighted kappa (κ(w)) were: κ1(w) = 0.296, κ2(w) = 0.487, κ3(w) = 0.224, and κ4(w) = 0.244, ranging from fair to moderate.. …”
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1925“…During Exposure, 21 non-musicians were instructed to detect a timbre shift (TS) within short microtonal melodies, and we hypothesised that they would incidentally learn about the pitch interval structure of the microtonal scale from attending to the melodies during the task. …”
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1926“…To produce sentences and melodies quickly and accurately, individuals must plan upcoming sequence events, as well as monitor outcomes via auditory feedback. …”
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1927“…Numerous experiments altering musical passages have shown that higher and faster melodies generally sound “happier” than lower and slower melodies, findings consistent with corpus analyses of emotional speech. …”
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1928por Gorzelańczyk, Edward J., Podlipniak, Piotr, Walecki, Piotr, Karpiński, Maciej, Tarnowska, Emilia“…In order to check whether emotional reactions play a role in the processing of pitch syntax or are only the result of the general mechanism of prediction, the comparison of skin conductance levels reacting to three types of melodies were recorded. In this study, 28 subjects listened to three types of short melodies prepared in Musical Instrument Digital Interface Standard files (MIDI) – tonally correct, tonally violated (with one out-of-key – i.e., of high information content), and tonally correct but with one note played in a different timbre. …”
Publicado 2017
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1929por Sun, Yanan, Lu, Xuejing, Ho, Hao Tam, Johnson, Blake W., Sammler, Daniela, Thompson, William Forde“…Twelve amusic participants (eight females) and 12 control participants (eight females) were presented melodies in one session, and spoken sentences in another session, both of which had syntactic-congruent and -incongruent stimuli. …”
Publicado 2018
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1930por Ullal-Gupta, Sangeeta, Vanden Bosch der Nederlanden, Christina M., Tichko, Parker, Lahav, Amir, Hannon, Erin E.“…However, learning the melodies, timbres, and rhythms unique to the music and language of one’s culture begins already within the mother’s womb during the third trimester of human development. …”
Publicado 2013
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1931“…Musical hallucinations constitute a complex type of auditory hallucination characterized by perception of melodies, music, or songs. Musical hallucinations are infrequent and have been described in 0.16% of a general hospital population. …”
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1932“…In both sentences and melodies, unexpected syntactic anomalies were introduced. …”
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1933“…Two local-to-global experiments in vision (hierarchically constructed letters) and audition (hierarchically constructed melodies) as well as a pitch adjustment test measuring absolute pitch proficiency were conducted in 31 absolute pitch and 33 relative pitch professional musicians. …”
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1934
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1935por Lowe, Donna, Roy, Laurence, Tabocchini, Maria Antonella, Rühm, Werner, Wakeford, Richard, Woloschak, Gayle E., Laurier, Dominique“…Motivated by a virtual workshop on the “Effects of spatial and temporal variation in dose delivery” organised in November 2020 by the Multidisciplinary Low Dose Initiative (MELODI), here, we review studies to date exploring dose rate effects, highlighting significant findings, recent advances and to provide perspective and recommendations for requirements and direction of future work. …”
Publicado 2022
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1936“…Yet some individuals (i.e., 10–15%) are poor singers, typically performing or imitating pitches and melodies inaccurately. This condition, commonly referred to as “tone deafness,” has been observed both in the presence and absence of deficient pitch perception. …”
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1937por Estevao, Carolina, Fancourt, Daisy, Dazzan, Paola, Chaudhuri, K. Ray, Sevdalis, Nick, Woods, Anthony, Crane, Nikki, Bind, Rebecca, Sawyer, Kristi, Rebecchini, Lavinia, Hazelgrove, Katie, Manoharan, Manonmani, Burton, Alexandra, Dye, Hannah, Osborn, Tim, Jarrett, Lucinda, Ward, Nick, Jones, Fiona, Podlewska, Aleksandra, Premoli, Isabella, Derbyshire-Fox, Fleur, Hartley, Alison, Soukup, Tayana, Davis, Rachel, Bakolis, Ioannis, Healey, Andy, Pariante, Carmine M.“…SHAPER consists of three studies – Melodies for Mums, Dance for Parkinson's, and Stroke Odysseys – which will recruit over 800 participants, deliver the interventions and draw conclusions on their clinical impact, implementation effectiveness and cost-effectiveness. …”
Publicado 2021
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1938por Li, Wei Bo, Bouvier-Capely, Céline, Saldarriaga Vargas, Clarita, Andersson, Michelle, Madas, Balázs“…In line with the strategical research agendas of the Multidisciplinary European Low Dose Initiative (MELODI) and the European Radiation Dosimetry Group (EURADOS), future research direction of pharmacokinetic modelling and dosimetry in patient radiopharmaceutical therapy are recommended.…”
Publicado 2022
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1939
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1940por Braun, Allen, McArdle, Joe, Jones, Jennifer, Nechaev, Vladimir, Zalewski, Christopher, Brewer, Carmen, Drayna, Dennis“…Tune deafness (TD) is a central auditory processing disorder characterized by the inability to discriminate pitch, reproduce melodies or to recognize deviations in melodic structure, in spite of normal hearing. …”
Publicado 2008
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