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  1. 1941
    “…In this study, we applied a range of transformations (such as time reversal) to short melodies and rhythms and asked novice musicians to identify them with or without the aid of notation. …”
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  2. 1942
    “…Listening to simple rhythms and melodies, which largely dominate the choice of music during rituals and mass events, brings individuals together in terms of their physiological rhythms, which could explain why music is widely used to favor social bonds.…”
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  3. 1943
    “…We tested this idea by providing random performance feedback to neurotypical listeners while they listened to melodies for tonal incongruities and had their electrical brain activity monitored. …”
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  4. 1944
    “…Sensory information must be integrated over time to perceive, for example, motion and melodies. Here, to study temporal integration, we used the sequential metacontrast paradigm in which two expanding streams of lines are presented. …”
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  5. 1945
    “…Here we recorded cortical signals as participants listened to Bach melodies. We assessed the relative contributions of acoustic versus melodic components of the music to the neural signal. …”
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  6. 1946
    Publicado 1991
    Partituras Libro
  7. 1947
  8. 1948
    “…The experiment is based on a medium- and long-distance heteronuclear correlation (MELODI–HETCOR) method. For improving (1)H spectral resolution, a windowed phase-modulated Lee–Goldburg (wPMLG) decoupling scheme is applied during the t (1) evolution period. …”
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  9. 1949
    “…In the present research we therefore use these techniques to develop a new test of a well-studied psychological capacity: melodic discrimination, the ability to detect differences between melodies. We calibrate and validate this test in a series of studies. …”
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  10. 1950
    “…Inspired by the traceable analogies between protein sequences and music notes, protein music has been composed from amino acid sequences for popularizing science and sourcing melodies. Despite the continuous development of protein-to-music algorithms, the musicality of protein music lags far behind human music. …”
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  11. 1951
  12. 1952
  13. 1953
    por Lee, Hweeling, Noppeney, Uta
    Publicado 2014
    “…Further, we manipulated the duration of the stimuli by presenting sentences/melodies or syllables/tones. Critically, musicians relative to non-musicians exhibited significantly narrower temporal integration windows for both music and sinewave speech. …”
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  14. 1954
    “…Based on a choice model completed by 638 general public respondents from around Australia, we found a preference for small colourful birds with a melodious call. However, when the same people were asked which five birds they found most attractive, 48% named no more than three, mostly large well-known species. …”
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  15. 1955
    “…The goal of the present study was to investigate the auditory, tactile and audiotactile identification of emotions in musicians. Melodies expressing happiness, sadness, fear/threat, and peacefulness were played and participants had to rate each excerpt on a 10-point scale for each of the four emotions. …”
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  16. 1956
    “…Brazilian songs, international songs, and classical music melodies were selected. Each song had its velocity altered and was named as fast and slow. …”
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  17. 1957
  18. 1958
    “…To manipulate the processing fluency of simple piano melodies and segments of Mozart’s sonata K. 448, the audio files of the music were either left in their original forward direction or reversed. …”
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  19. 1959
    “…Pianists' finger movements were recorded with a motion capture system while they performed melodies from memory at different rates. Pianists' peak finger heights above the keys preceding keystrokes increased as tempo increased, and were attained about one tone before keypress. …”
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  20. 1960
    “…Musically naïve subjects listened to familiar melodies with three kinds of accompaniments: (i) an accompaniment composed of only three basic chords (chord condition), (ii) a simple accompaniment typically used in traditional music text books in elementary school (simple condition), and (iii) an accompaniment with rich and flowery sounds composed by a professional composer (complex condition). …”
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