“…Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. …”
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“…The idea that different musical modes are best suited to the expression of different emotions has been prescribed by composers, music theorists, and natural philosophers for millennia. …”
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