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241por Moreno-Gutiérrez, Juan Ángel, de Rojas Leal, Carmen, López-González, Manuel Víctor, Chao-Écija, Alvaro, Dawid-Milner, Marc Stefan“…METHODS: Six professional pianists perform a piece for piano written only for the left hand by Alexander Scriabin. …”
Publicado 2023
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242“…Tempo measurements of famous pianists’ recordings of two variation movements from Beethoven sonatas revealed a strong tendency to play the first variation (subdivided beats) faster than the theme (mostly simple beats). …”
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243“…The latter, trial-to-trial variabilities reveal that pianists’ timing was less consistent at the boundaries between the octaves, providing evidence that the octave is represented as a single motor sequence. …”
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244por Farbood, Morwaread M., Heeger, David J., Marcus, Gary, Hasson, Uri, Lerner, Yulia“…Using an experimental design modeled after previous studies that used scrambled versions of a spoken story (Lerner et al., 2011) and a silent movie (Hasson et al., 2008), we investigate whether listeners perceive hierarchical structure in music beyond short (~6 s) time windows and whether there is cortical overlap between music and language processing at multiple timescales. Experienced pianists were presented with an extended musical excerpt scrambled at multiple timescales—by measure, phrase, and section—while measuring brain activity with functional magnetic resonance imaging (fMRI). …”
Publicado 2015
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245“…The current experiment investigated how ambiguity of agency affects behavioural and neural responses to errors in a joint action domain where self–other overlap is common: musical duos. Pairs of pianists performed piano pieces in synchrony, playing either the same pitches (ambiguous agency) or different pitches (unambiguous agency) while electroencephalography (EEG) was recorded for each individual. …”
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246por Zamm, Anna, Palmer, Caroline, Bauer, Anna-Katharina R., Bleichner, Martin G., Demos, Alexander P., Debener, Stefan“…Wireless EEG was measured from N = 20 pairs of pianists as they performed a melody first in Solo performance (at their spontaneous rate of performance), and then in Duet performances at each partner’s spontaneous rate. …”
Publicado 2021
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247“…Although rhythmic tapping skills of musicians such as drummers and pianists were investigated previously, the tapping performance of hand percussionists is still largely unknown. …”
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249“…The analyses revealed significant differences for specific instrumental groups. Around 23% of the pianists, 25% of the upper strings players, and 33% of the guitar players showed a weight distribution significantly shifted more to the left compared to the control group (9%). …”
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250por Gärtner, H., Minnerop, M., Pieperhoff, P., Schleicher, A., Zilles, K., Altenmüller, E., Amunts, K.“…Among the musicians, 13 were pianists or organists with intensive practice regimes. …”
Publicado 2013
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251“…Serial ordering errors, in which intended sequence events are produced in incorrect sequence positions, were measured as skilled pianists performed musical pieces that contained excerpts embedded in long or short musical contexts. …”
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252“…To test this, 24 skilled pianists each performed with a confederate while their coordination was measured by the asynchrony in their tone onsets. …”
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254“…Breathing-, mouth- and throat-related complaints were highest among singers and wind players; hand- and arm-related complaints were highest among string players and pianists. The indices of musical experience and practice had marginal effects. …”
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255“…Our results suggest that differently controlling both hands simultaneously is an important skill for pianists; therefore, DBH features should be considered in the quantitative evaluation of piano performance.…”
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256“…It has the potential to help pianists avoid hand muscle injuries when practicing while also allowing music to reach its full potential.…”
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