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“…We measured several neuroaesthetic variables in portrait paintings from the Early and High Renaissance, and from Mannerism. …”
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“…However, while we find that stability for portrait paintings, landscape paintings, and landscape photographs is not different compared to control group performance, stability for face photographs – which were matched for identity with the portrait paintings – was significantly impaired in the AD group. …”
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“…Read at multiple levels, portraits offer diverse data about the people they portray: their lives, and the political, social and economic context in which these were lived. Portraits painted in New Spain during the eighteenth century, abundant and rich in aesthetic value, operate from a particular synchrony between this dimension and another: the construction of the person as a member of a complex society, by means of narrative strategies such as the use of elements from other pictorial genres, whose presence contributes to the work’s objectives. …”
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“…BACKGROUND: The Arnolfini portrait painted by Jan van Eyck in 1434 remains one of the most puzzling yet alluring paintings of prerenaissance western art. …”
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“…This uniquely-framed tour of modern cosmology gives a deeper understanding of the inner workings of this fascinating field. The portrait painted is realistic and raw, not idealized and airbrushed - it is science in all its messy detail, which doesn't pretend to have all the answers.…”
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“…Fayum mummy portraits, painted around 2000 years ago, represent a fascinating fusion of Egyptian and Graeco-Roman funerary and artistic traditions. …”
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“…Using an active oddball paradigm with unambiguous and ambiguous portrait paintings as the standard stimuli, our aim was to examine whether: creativity in the figural domain influences the perception of visual stimuli; any stages of visual processing; or if healthy aging has an effect on these processes. …”
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“…Experiment 2 presents data concerning the direction of Mona Lisa’s gaze and whether this appears to be smiling, derived from an experiment aimed at studying the impression of gaze (direction and emotional content) in portraits (paintings and photographs). Only data concerning Mona Lisa are reported. …”
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“…Here, we address these questions with statistics of portrait paintings from the Early Renaissance period. To do this, we first developed different computational measures for each of the aforementioned fluency variables. …”
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