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4por Grimes, David Robert“…Unlike other more quantised instruments where pitch is a discrete function, guitarists can incorporate micro-tonality and, as a result, vibrato and sting-bending are idiosyncratic hallmarks of a player. …”
Publicado 2014
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5“…Using multi and univariate linear regression techniques, CPPS, vibrato jitter, vibrato shimmer, and an efficiency ratio (SPL/P(Sub)) were included in a significant model (p < 0.001) explaining 62.4% of variance in participants’ composite scores of three scale items related to vocal fatigue. …”
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6“…Spectral analysis of muscle activity demonstrated that in some singers, activity in LD and more rarely SCM, fluctuated in phase with vibrato. CONCLUSIONS: LD appears to play a significant role in maintaining chest expansion and the dynamic processes underlying vibrato and coloratura singing in classically trained singers.…”
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7por Brown, Clive, 1947-Tabla de Contenidos: “…Accentuation in theory -- Accentuation in practice -- The notation of accents and dynamics -- Articulation and phrasing -- Articulation and expression -- The notation of articulation and phrasing -- String bowing -- Tempo -- Alla breve -- Tempo terms -- Tempo modification -- Embellishment, ornamentation, and improvisation -- Appoggiaturas, trills, turns, and related ornaments -- Vibrato -- Portamento -- Paralipomena.…”
Publicado 1999
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8por Lee, Han-Sung, Park, Ho Youn, Yoon, Jun O, Kim, Jin Sam, Chun, Jae Myeung, Aminata, Iman W., Cho, Won-Joon, Jeon, In-Ho“…This paper examines the various positions and movements of the upper extremities in string players: 1) basic postures for holding instruments, 2) movements of left upper extremity: fingering, forearm posture, high position and vibrato, 3) movements of right upper extremity: bowing, bow angles, pizzicato and other bowing techniques. …”
Publicado 2013
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9por Rachman, Laura, Liuni, Marco, Arias, Pablo, Lind, Andreas, Johansson, Petter, Hall, Lars, Richardson, Daniel, Watanabe, Katsumi, Dubal, Stéphanie, Aucouturier, Jean-Julien“…We present an open-source software platform that transforms emotional cues expressed by speech signals using audio effects like pitch shifting, inflection, vibrato, and filtering. The emotional transformations can be applied to any audio file, but can also run in real time, using live input from a microphone, with less than 20-ms latency. …”
Publicado 2017
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10Tabla de Contenidos: “…Daily care and assembly ; Body position ; Hand/finger positioning ; Embouchure ; Mouthpiece exercises ; Pop tests ; Touch-tone-teaching ; Breathing ; Articulation ; Intonation ; Vibrato -- 2. Additional teaching guides and check lists -- 3. …”
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11“…The potential benefits of cyclic strain, often found in vibrato (around 5 Hz modulation) and intonational inflection, are discussed in terms of vocal effort and vocal pitch maintenance. …”
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12“…This difference could not be attributed solely to vibrato (pitch variation), which was more pronounced in the natural voice than in the synthesized voice. …”
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13“…Findings such as the limited use of vibrato in early recordings, the relative stabilization of tempo and rhythm characteristic of mid-20th century violin playing, or the effect of ‘historically informed performance’ (HIP) on ‘mainstream’ (MS) violinists performing early music repertoire, are fundamental in the identification of prevailing norms of practice and changes of style that have occurred over time. …”
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14“…The database allows assigning FHE means ± SD as characteristic or comparative values for sopranos (3092 ± 284 Hz), tenors (2705 ± 221 Hz), baritones (2454 ± 206 Hz) and basses (2384 ± 164 Hz). In addition to vibrato, specific timbre parameters provide another valuable feature in vocal pedagogy for classification of voice type and fach according to the lyric or dramatic character of the voice.…”
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15“…Possible interpretations of these results include the fact that the melodies might have been impossible to interpret outside their musical context, or that expressive features that were left out of the modeling such as note articulation and vibrato are, in fact, essential to the perception of expression in violin performance. …”
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16“…It also shows better performance for challenging scenarios including polyphonic music and vibrato performances.…”
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17por Erickson, Molly L., Faulkner, Katie, Johnstone, Patti M., Hedrick, Mark S., Stone, Taylor“…Non-vocoded and vocoded stimuli were synthesized with vibrato using 3 excitation source spectral slopes and 3 vocal tract transfer functions (mezzo-soprano, intermediate, soprano) at the pitches C4, B4, and F5. …”
Publicado 2020
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19por Lostanlen, Vincent, El-Hajj, Christian, Rossignol, Mathias, Lafay, Grégoire, Andén, Joakim, Lagrange, Mathieu“…Instrumentalplaying techniques such as vibratos, glissandos, and trills often denote musical expressivity, both in classical and folk contexts. …”
Publicado 2021
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