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Worldmaking, Legal Education, and the Saga Comic Book Series

This article argues that to disrupt legal education in a radical sense, students need to become acquainted with the art of worldmaking and the view that law is a “way of worldmaking”. First, I show that law is a cultural semiotic practice that requires decoding and, for that reason, demands a creati...

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Autor principal: Vilaça, Guilherme Vasconcelos
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Netherlands 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8454014/
https://www.ncbi.nlm.nih.gov/pubmed/34566271
http://dx.doi.org/10.1007/s11196-021-09864-4
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author Vilaça, Guilherme Vasconcelos
author_facet Vilaça, Guilherme Vasconcelos
author_sort Vilaça, Guilherme Vasconcelos
collection PubMed
description This article argues that to disrupt legal education in a radical sense, students need to become acquainted with the art of worldmaking and the view that law is a “way of worldmaking”. First, I show that law is a cultural semiotic practice that requires decoding and, for that reason, demands a creative intervention by those that want to know, understand, and do things with law. Altogether this amounts to recognizing the different modes in which law creates, and is part of, worlds. Second, I propose that due to different features of their aesthetic form, comics are a particularly effective medium to place students before the myriad ways in which law and lawyers make and reproduce worlds. Third, I illustrate the argument by exploring how the Saga comic series, through its formal multimodality and narrative and cultural complexity, can make good on that challenge.
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spelling pubmed-84540142021-09-21 Worldmaking, Legal Education, and the Saga Comic Book Series Vilaça, Guilherme Vasconcelos Int J Semiot Law Article This article argues that to disrupt legal education in a radical sense, students need to become acquainted with the art of worldmaking and the view that law is a “way of worldmaking”. First, I show that law is a cultural semiotic practice that requires decoding and, for that reason, demands a creative intervention by those that want to know, understand, and do things with law. Altogether this amounts to recognizing the different modes in which law creates, and is part of, worlds. Second, I propose that due to different features of their aesthetic form, comics are a particularly effective medium to place students before the myriad ways in which law and lawyers make and reproduce worlds. Third, I illustrate the argument by exploring how the Saga comic series, through its formal multimodality and narrative and cultural complexity, can make good on that challenge. Springer Netherlands 2021-09-21 2022 /pmc/articles/PMC8454014/ /pubmed/34566271 http://dx.doi.org/10.1007/s11196-021-09864-4 Text en © The Author(s), under exclusive licence to Springer Nature B.V. 2021, corrected publication 2021 This article is made available via the PMC Open Access Subset for unrestricted research re-use and secondary analysis in any form or by any means with acknowledgement of the original source. These permissions are granted for the duration of the World Health Organization (WHO) declaration of COVID-19 as a global pandemic.
spellingShingle Article
Vilaça, Guilherme Vasconcelos
Worldmaking, Legal Education, and the Saga Comic Book Series
title Worldmaking, Legal Education, and the Saga Comic Book Series
title_full Worldmaking, Legal Education, and the Saga Comic Book Series
title_fullStr Worldmaking, Legal Education, and the Saga Comic Book Series
title_full_unstemmed Worldmaking, Legal Education, and the Saga Comic Book Series
title_short Worldmaking, Legal Education, and the Saga Comic Book Series
title_sort worldmaking, legal education, and the saga comic book series
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8454014/
https://www.ncbi.nlm.nih.gov/pubmed/34566271
http://dx.doi.org/10.1007/s11196-021-09864-4
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